Music videos
Music is all about cinema: rhythm, timing, emotion, and fluidity. Since 2004, we've loved making lots of music videos.
2025
Caatinga's defense
Brazil,
Alice, who lives in a small isolated house in the countryside, receives an unwelcome visit from a young influencer. After watching a series of films she made and posted on social media, he intends to mock her, ridicule her, and feed his followers hungry for ageist and misogynistic jokes. However, Alice is not exactly what the young man imagines.
2025
Thirteen
Brazil, 13', Well Darwin and Francisco Gaspar
After 58 walks out of 13’s room, the score is far from settled. Now, 13 and 55 are left to have the final, brutal conversation—one meant to wound, to cut deep, to bury the past in a grave of unforgivable truths. With undeniable proof of 58’s crime now exposed across the networks, there’s nothing left to argue. No escape. No redemption.
2025
CANDEIAS, a being of our time
Brazil, 18', Well Darwin
Ozualdo Candeias was a gruff truck driver. He never lost the verve of that strange form of freedom, confined to the cab yet facing the countless itineraries of the world. Among the many trades he pursued was that of a boca do lixo filmmaker, in a time when making films required both courage and friends. He had both in abundance.
His complexity can now be revisited through a process of visual and sound collages, guided by a frank and reflective conversation recorded at the end of 1997—about the cinema of yesterday, but also about the cinema of today.
2025
Revenge
Brazil, 18', Eduardo Campos e Mari Penteado
The narrative of Revenge unfolds over the course of a day in the life of Virgínia, a character played by actress Renata Carvalho, a 43-year-old transgender woman who works as a community health agent in Guarulhos.
In the short film, we follow her encounters and moments of estrangement throughout her daily routine, marked by affection, tension, dreams, and—above all—resistance.
2025
A Screen in the village
Brazil, 10', Sérgio Gag
The traumatic encounter between the Panará people and the white man is the theme of the feature film Kati Ranpari Kin, shot between 2023 and 2024 in the village of Nasepotiti, in southern Pará. With the film completed, we had to hold the first screening with the Panará themselves — but how to bring cinema to the Indigenous Territory?
What was the impact on the youth when they saw their history and ancestry represented on the big screen?
What is the meaning of showing the incredible story of this people in the very cities that were built over their ancient villages?
2024
Suck it up
Brazil, 11', Fabio Rodrigo
On the outskirts of São Paulo, 17-year-old Anderson steals a motorcycle. He wants to prove himself as a man by putting an end to years of exclusion and rejection, but he will confront what he has never been taught to handle: his emotions.